Avengers: Endgame (2019)

Director(s): Anthony Russo, Joe Russo. Cast: Robert Downey Jr., Chris Evans, Mark Ruffalo, Chris Hemsworth, Scarlett Johansson, Jeremy Renner, Don Cheadle, Paul Rudd, Benedict Cumberbatch, Chadwick Boseman, Brie Larson, Tom Holland, Karen Gillan, Zoe Saldana, Evangeline Lilly, Tessa Thompson, Rene Russo, Elizabeth Olsen, Anthony Mackie, Sebastian Stan, Tom Hiddleston, Danai Gurira, Dave Bautista, Tilda Swinton, Jon Favreau, Hayley Atwell, Natalie Portman, Marisa Tomei, Taika Waititi, Angela Bassett, Michael Douglas, Michelle Pfeiffer, William Hurt, Cobie Smulders, Frank Grillo, Vin Diesel, Bradley Cooper, Gwyneth Paltrow, Robert Redford, Josh Brolin, Chris Pratt, Samuel L. Jackson, Stan Lee. 181 min. Rated PG-13. Action/Fantasy.

Finally, the 3-hour conclusion - to a 10-year, 20-movie journey (just look at the ensemble cast). The Russo Brothers have tied all the loose ends, assured the continuation of Marvel’s money-making process, and even fit the narrative to two of the major actors' ending contracts with the studio. I can feel the sarcasm in my words. But no; this is a decent movie, and takes its time to tell a good story. But at the end of the day, it's just a bookend. After all, how could it have ever met the once-in-a-lifetime peak its predecessor Infinity War achieved?

Mo says:

Apollo 11 (2019)

Director: Todd Douglas Miller. 93 min. Rated G. Documentary.

A 100% Tomatometer winner, which I'd call a "pure" documentary: a compilation of footage (some previously unseen) of man's first lunar mission, and except for a few soundtrack notes ... nothing else. No narrator, no manipulating sound-image juxtaposition, no directorial point-of-view, nothing. And amazingly, it’s still engaging. Similar to last year's dramatized version, First Man, the fascinating historical moment is how they landed the lunar module seconds before exhausting fuel; but also similar to how between another 100% documentary, Man on Wire, and its counterpart, The Walk, I preferred the dramatized version, here again ... I’d go with First Man.

Mo says:

Captain Marvel (2019)

Director(s): Anna Boden, Ryan Fleck. Cast: Brie Larson, Samuel L. Jackson, Ben Mendelsohn, Jude Law, Annette Bening, Djimon Hounsou. 124 min. Rated PG-13. Action/Sci-fi.

Impressed, by how Marvel has tried to come up with a Wonder Woman equivalent ... and succeeded. After a beautiful opening tribute to the late Stan Lee, the indie directors are in no rush to tell their story - they minimize the number of big-budget action scenes, and replace them with the strong foundation of a good story, slowly developing characters for Carol Danvers, a young Nick Fury, and the multiple complicated villains. By the end, you've seen a Marvel movie that similar to Black Panther, works independently on its own terms. And boy, is that post credits scene awesome.

Mo says:

Alita: Battle Angel (2019)

Director: Robert Rodriguez. Cast: Rosa Salazar, Christoph Waltz, Jennifer Connelly, Mahershala Ali, Ed Skrein, Jackie Earle Haley, Edward Norton. 122 min. Rated PG-13. Action/Sci-fi.

Robert Rodriguez has been making entertaining movies for so many years, but still doesn't get it. He still doesn't know that eye-popping CGI effects never replace (or even undermine) a good story, and females should not become action heroes (with total disregard for what made a female unique for the role) just because it's cool. And then being so self-assured, to actively move the entire plot towards an incomplete ending ... on the very first installment? To show your main villain in the last scene, to prepare for a sequel? Lots of guts.

Mo says:

Suspiria (2018)

Director: Luca Guadagnino. Cast: Dakota Johnson, Tilda Swinton, Chloë Grace Moretz. 152 min. Rated R. Italy/USA. Horror.

Forget the critics: the horror in Dario Argento's giallo movies was all about "the mood" (his stories weren't necessarily scary), and this remake of his 1977 film recreates exactly just that - in updated form. Guadagnino's version does have some discomforting moments, but what I took home were the colors, the costumes, the music, the sounds (or lack thereof). Yes, the ending is corny, but there has rarely been a movie in recent memory where I was so engrossed solely in its haunting atmosphere, I wanted to stay there for a very long time. A must-see for horror lovers.

Mo says:

Can You Ever Forgive Me? (2018)

Director: Marielle Heller. Cast: Melissa McCarthy, Richard E. Grant, Dolly Wells. 106 min. Rated R. Biography.

True story of an out-of-work author with writer's block in the 90s, who with the help of a loyal friend, forges letters of famous authors, based on her knowledge of their style. McCarthy again proves she's a force to be reckoned with (I dare you not laugh when she's laughing), and Grant comes out of the shadows to make a stance on his own. The film has its moments (is a "rejuvenating" life of crime worth living?), while the noteworthy material (e.g., the collector's mindset, the value of copy versus original) is sourly downgraded. Nominated for 3 Oscars? Really?

Mo says:

They Shall Not Grow Old (2018)

Director: Peter Jackson. 99 min. Rated R. Documentary. UK/New Zealand.

Why lie? I've always been against colorizing (i.e., popularizing) old films. But if we're in the same league, watch this - it'll change your mind. While not necessarily an attack on classic film sanctity, Peter Jackson's collage of restored, colorized and re-timed old World War I films, with background narrations from deceased veterans, will blow your mind. It provides a new back-drop for what it meant to go to combat one hundred years ago, and still comes to the same conclusion: that in war, the real enemy, is war itself. A nice example where form empowers content.

Mo says:

Free Solo (2018)

Director(s): Jimmy Chin, Elizabeth Chai Vasarhelyi. 100 min. Rated PG-13. Documentary.

Watching films like Everest and Meru, I've always questioned the logic behind such life-threatening sports. Free Solo finally helped me understand. Mountain-climbing, specifically free soloing, without ropes or gear, is about an obsession for perfection - about defying what the universe talks you down and says cannot be done. About knowing when to be scared, and when to move and plow ahead. Alex Honnold's attempt to literally "conquer" Yosemite's El Capitan Wall, is a spectacle that provoked palpitations in me watching a documentary for the first time. This is another film where the larger the screen, the more magnificent the message.

Mo says:

MoMagic!

Mirai (2018)

Director: Mamoru Hosoda. 98 min. Rated R. Japan. Animation.

A baby sister is added to a 4 year-old boy's life, and sibling rivalry drives him to imagine himself coming into contact with family members from the past and future - including his own grown-up sister. That plot-line not only makes this animation specifically addressed to adults who may not understand it (let alone kids), it also renders the film too exotic, and therefore, ... boring. I'm assuming if the idea was for children to watch this and be more accepting of new additions to the family, at least the final product could've been made more palatable to them.

Mo says:

Shoplifters (Manbiki kazoku) (2018)

Director: Hirokazu Koreeda. Cast: Lily Franky, Sakura Andô, Kirin Kiki. 121 min. Rated R. Japan. Drama.

Last year's Cannes Palm d'Or winner from Japan is about a manufactured family of small-time crooks, who may be good-natured, but justify their methods (".. it's not stealing because in the shop doesn't belong to anybody yet"; "... it's not kidnapping because we didn't ask for ransom"). But the film poses a grander question: can you choose your family - choose who to call brother, sister, or dad? This film, like other Hirokazu Koreeda films, is very slow-paced (even including an opening shoplifting scene). But that may be the point, because the lives of these people is anything but exciting.

Mo says:

A Private War (2018)

Director: Matthew Heineman. Cast: Rosamund Pike, Jamie Dornan, Tom Hollander, Stanley Tucci. 110 min. Rated R. UK/USA. Biography/War.

Based on the true story of Marie Colvin, the journalist who braved Middle-East conflicts to report under the heaviest gunfire of the 2000s. With Pike playing the trademark eye-patched role in a Golden Globe-nominated performance, especially during a final scene, we understand what made this particular reporter a celebrated one. But at the end of the day, the heroine's death-defying endeavors to give voice to the voiceless people of these regions, fall under the spell of a white savior narrative, as there is no mention of which countries were really the cause of such brutal conflicts in the first place.

Mo says:

The Lego Movie 2: The Second Part (2019)

Director: Mike Mitchell. Cast (voices): Chris Pratt, Elizabeth Banks, Will Arnett, Tiffany Haddish, Alison Brie, Nick Offerman, Charlie Day, Will Ferrell, Channing Tatum, Jonah Hill, Jason Momoa, Cobie Smulders, Ralph Fiennes, Will Forte, Bruce Willis. 106 min. Rated PG. Animation.

Rarely remember a sequel ... so despicable! There was always this criticism hanging over the original Lego Movie (or any Lego-based movie that followed), that they were made solely for the purpose of selling Legos. But this one is shameless! Through the dumbest story, the most shallow characters set out to achieve: absolutely nothing palatable. And there's even a plot-line where (yes, I'm spoiling the movie) kids outgrow Legos and box them up ... only to open the boxes and play with them again! Strong candidate for my worst movie of the year - and we're not even past February.

Mo says: