My main problem with Tomorrowland, was structure. Felt like multiple subplots, piled up on each other to create one big plot. Starting with a 1960's Disney-World subplot, throwing you into a bright futuristic action sequence, leading to a BladeRunner subplot about an android, then an evil nerdy secret society who's after the android, then discovering a Neo-like teenage girl who is "the one", etc. Not that it's confusing - it's just all tiring. Screenwriter Landelof's formula that made Prometheus intriguing and fascinating doesn't work for kiddie sci-fi, and George Clooney is in the wrong genre. Another mediocre Disney-ride-to-movies moneymaking attempt.
Mo says:
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