Crazy Heart (2009)

Director: Scott Cooper. Cast: Jeff Bridges, Maggie Gyllenhaal, Robert Duvall. Colin Farrell. 112 min. Rated R. Musical.

After watching so many of his movies, I never realized what Bridges basically looked like: an alcoholic. More than a third of Crazy Heart is in close-up, and the miserable self-reflection Bridges provides as a country singer with a royally screwed-up life, hit notes far deeper than what Ray or Walk the Line were able to achieve, making this an exercise in honest storytelling. Notably, the power of the movie is not only in Bridges' performance, but also in his chemistry with the supporting actors, Gyllenhaal, Farrell, and Duvall. (This was the first time I discovered Gyllenhaal's star quality.)

Mo says:

Moon (2009)

Director: Duncan Jones. Cast: Sam Rockwell, Kevin Spacey (voice). 97 min. Rated R. Sci-fi.

Obvious opening homages to Kubrick's 2001 (duplicated interior designs, Kevin Spacey's GERTY as another rendering of HAL-9000) make the viewer wait for the moment the central computer revolts. But no; this intelligent sci-fi has so many plot surprises that disclosing any one of them would be cruel to whoever hasn't seen it. Just take my word for it: you'll feel sorry for a certain life form you never thought worth considering.

Mo says:

The Blind Side (2009)

Director: John Lee Hancock. Cast: Sandra Bullock, Tim McGraw, Quinton Aaron. 128 min. Rated PG-13. Drama/Sports.

Nominated for a Best Picture Oscar? Hmmm. Of course, it's high quality Hollywood at its best; one of those feel good movies that almost never props a question, never takes a risk, and plays it safe for the mainstream viewer, with several "Awwwwwwww" moments in between. Look at it as a light version of Precious, with the usual (rather offensive) "white saving the black" message at the end. Bullock is obviously in control here, but if she wins an Oscar, it's more due to a lack of competition, rather than offering any memorable movie moments.

Mo says:

Mr. Smith Goes to Washington (1939)

Director: Frank Capra. Cast: James Stewart, Jean Arthur, Claude Rains. 129 min. Rated G. Drama.

When all-American Frank Capra and all-American Jimmy Stewart get together, their ultra-classics make you shed a tear for the joy of pure honesty. Made in the golden Hollywood year of 1939, the concept of corrupt politicians and the fight of the lone hero against the cruel system, is as fresh as could ever be - not only for the American audience, but also for countries who brink on totalitarianism. At times, I had difficulty deciding whether I found James Stewart's character more interesting, or Jean Arthur's. If you haven't seen this classic yet, you're doing yourself a great disservice.

Mo says:

Throne of Blood (Kumonosu-jô) (1957)

Director: Akira Kurosawa. Cast: Toshirô Mifune, Isuzu Yamada, Takashi Shimura. 110 min. Unrated. Japan. Drama.

Any version of the Macbeth tale is innately a delight (similar to the effect Les Miserables always has), and Kurosawa's take on it is even more worthy of consideration. His "Japanized" view of the story, especially at specific moments (the spirit who offers the prophecy, the ghost showing up at the banquet) makes this version most memorable, and even to some point eerie. Don't let the movie's 50 year age trick you into brushing it aside.

Mo says:

As It Is in Heaven (Så som i himmelen) (2004)

Director: Kay Pollak. Cast: Michael Nyqvist, Frida Hallgren, Helen Sjöholm. 132 min. Sweden. Drama.

This foreign-language Oscar nominee may initially remind of Mr. Holland's Opus, but eventually offers the metaphors of Chocolat (there it was chocolate, here it's music). Music proves its power by releasing inhibitions, facilitating the characters to suddenly realize how they've been imprisoned (and even tortured) on a daily basis, without even knowing it. Works like freedom of speech. Always lovely to watch people break free of their confines.

Mo says:

Zombieland (2009)

Director: Ruben Fleischer. Cast: Woody Harrelson, Jesse Eisenberg, Emma Stone, Abigail Breslin. 88 min. Rated R. Action/Comedy.

The same old zombie concept, started from 1978's brilliant Dawn of the Dead, about how our current daily life is no different from a one infested with zombies, is repeated here; but with a comedic touch, as seen in 2004's Shaun of the Dead or 2006's Fido. The "rules" listed by the movie's protagonist are not necessarily ones to be observed in a zombieland, but in any "normal" human lifestyle, and the heroes are just remembering how to become normal by practicing these rules. Regardless of all the gore and violence, this is actually a family movie!

Mo says:

The Hangover (2009)

Director: Todd Phillips. Cast: Bradley Cooper, Ed Helms, Zach Galifianakis, Justin Bartha, Heather Graham, Jeffrey Tambor, Ken Jeong. 100 min. Rated R. Comedy.

Winner of the Golden Globe for Best Comedy, two major elements elevate The Hangover a level higher than a regular comedy. First, we are not shown what went wild the night the four men spent in Vegas (although I guess the whole plot is based on that, working like a whodunit); and second, I have never been so absorbed in watching the end credits. Never. But the aftermaths of the night are so beyond imagination (we're never told where the hotel room chicken came from, or how the mattress ended up on the rooftop statue), plausibility is a problem here.

PS: Ken Jeong ("Mr. Chow") is becoming a major comedian. Watch out for him.

Mo says:

Ran (1985)

Director: Akira Kurosawa. Cast: Tatsuya Nakadai, Akira Terao, Jinpachi Nezu, Daisuke Ryû, Mieko Harada. 162 min. Rated R. France/Japan. War.

A brilliant celebration of exaggeration. The character gestures, their reactions, and the set colors are so exaggerated and attractive, Ran is far beyond a mere remake of Shakespeare's King Lear. This eye candy study of father-son relationship is so visually beautiful, you will never notice how the 2 hours and 40 minutes went by. Kurosawa was truly the "Emperor".

Mo says:

My Top 10 Movies of 2009

It's the night before the Oscar nominations, and here they are - my top 10 movies of 2009, in alphabetical order:

1. Avatar
2. District 9
3. Drag Me to Hell
4. The Hurt Locker
5. Inglourious Basterds
6. Knowing
7. Paranormal Activity
8. Star Trek
9. Up In The Air
10. The White Ribbon

2009 was a great year for sci-fi/fantasy, with Avatar, District 9, Drag Me to Hell, Knowing, and Star Trek taking half of my top 10 slots. To make it a true sci-fi year, my favorite film of 2009 would definitely be Avatar - a fantasy of grand proportions you only see once in a generation.

The White Ribbon (Das weisse Band) (2009)

Director: Michael Haneke. Cast: Christian Friedel, Leonie Benesch, Burghart Klaußner. 144 min. Rated R. Austria/Germany/France/Italy. Drama.

I'm forming a love-hate relationship with Michael Haneke. I loved his Cache, hated his Funny Games, but The White Ribbon left me dumbfounded. The overlong black-and-white story of a small pre-WW I German village, actually gives a very clear picture of how WW II came to be. Unlike movies offering a cozy nostalgic feeling of some long lost good old days, this ultra-dark picture of a certain generation is extremely difficult to relate to - and nevertheless leaves you disturbed. Only for die-hard movie fans; but if you're one of them, at the end, you'll wake up in a daze.

Mo says:


Update: I have a habit of always reading reviews after I've seen a movie (and after writing my review!). I just read Roger Ebert's incredible interpretation of the movie, which although slightly undermines my above-mentioned Nazism theory of the movie, is ingeniously put:


"... It's too simple to say the film is about the origins of Nazism. If that were so, we would all be Nazis. It is possible to say that when the prevention of evil becomes more important than the preservation of freedom, authoritarianism grows. If we are to prevent evil, someone must be in charge. The job naturally goes to those concerned with enforcing order. Therefore, all disorder is evil and must be prevented, and that's how the interests of the state become more important than the interests of the people.

"I wonder if Haneke's point is that we grow so disturbed by danger that we will surrender freedom -- even demand to. Do we feel more secure in an orderly state? Many do. Then a tipping point arrives, and the Berlin Wall falls, or we see the Green Revolution in Iran. The problem, as philosophers have noted, is that revolutionaries grow obsessed with enforcing their revolution, and the whole process begins again."

Surrogates (2009)

Director: Jonathan Mostow. Cast: Bruce Willis, Radha Mitchell, Rosamund Pike, James Cromwell, Ving Rhames. 89 min. Rated PG-13. Sci-fi.

A mix of The Matrix, BladeRunner, I, Robot, WALL-E, The Sixth Day, and every other robot/android/virtual world movie you've ever seen. Predictable at times, but still kept me going, just because the premise is always interesting.

Mo says: