The whimsical dialogue. The fish-eye close-ups of major characters. The colorful production design. The bittersweet blend of romance, comedy, and tragedy. You'd probably think I'm describing a Jean-Pierre Jeunet movie (Amelie, The City of Lost Children). But apparently these elements have become staples of modern French cinema. While lack of knowledge about certain post-WWI historical aspects impairs the ability to fully enjoy this for a non-French, director Dupontel has pulled off a very difficult feat, most prominently featuring some incredible acting (especially by the main actor ... behind masks!) and a heart-breaking ending, making this a memorable piece of cinema.
PS: Nominated for an astounding 13 Cesar Awards (the French Oscars), which are to be awarded in the next few hours.
PPS: Thank you Ali S! You need people in France to give you inside info on the best new French movies out there ...
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